One piece of frequently given writing advice is to make your characters vivid. It’s a valid suggestion and has been proven consistently to be successful.
Why, then, do we fear to implement it?
What makes us conjure up a bright, vivacious character in our imagination, then draw back in the typing? Why do we limit our character to just lines of flat dialogue coming from her mouth? Why do we retreat to a few tepid details of description?
Are we afraid?
Of what? Creating a ridiculous character, one that readers will jeer at?
Are we oblivious?
Do we think that because our character is vivid in our imagination that readers can somehow telepathically envision that individual without our making further effort?
Are we unskilled?
Maybe we know what kind of character we want to present in our fiction, but we just don’t understand how to design or construct that story person.
Maybe any or all of those reasons lie behind our general timidity.
Fear of possible ridicule can be a huge barrier to any writer who feels unsure of an idea or premise. As writers, we tend to be introverted to a slight or massive degree. It’s hard enough for us to find the courage to begin a new story, let alone risk having someone criticize or sneer at it.
Gaining confidence in yourself, in your story sense, and in your abilities happens through practicing and mastering the writing craft. Acquiring writing skills and honing them constantly will help you tackle new methods and more complex stories. Understanding what you’re doing is the best way I know to push yourself to go bigger with your character designs.
Sometimes you have to try it until you can do it. Just as we form habits by performing an action repeatedly and regularly for many days until it becomes an ingrained part of our routine, so can we push ourselves beyond our writer’s cave to try whatever seems intimidating.
A vivid character needs to be large, bold, colorful, unrestrained, and active.
Let’s examine these separately, starting with the last adjective.
An active character is up and doing, not sitting on the sofa as an observer. An active character has opinions and isn’t afraid to express them. An active character enters confrontations, faces opposition, and attempts solutions even if they don’t work out as planned.
An unrestrained character does and says things that we may wish we dared in real life. An unrestrained character butts in. An unrestrained character gets involved. An unrestrained character may have few scruples, low ethics, and act impulsively. An unrestrained character will fall into trouble, but can probably climb right back out of it. An unrestrained character is daring, unpredictable, and jolly fun to write about.
A colorful character is so busy and uninhibited that he or she can’t help but jump off the page. A colorful character will be hard for readers to forget, whether it’s because she always wears purple socks and orange sneakers or because he drives a silver Lotus or because she dons a blue cape and can fly like the superhero she is.
A bold character is all of the above. A bold character refuses to be put in a corner. A bold character will see someone lurking in a corner and make him come out of there. A bold character takes the chances others won’t and seizes opportunities no one else has noticed. A bold character is the one that shows up, steps up, and stands up. A bold character may be a rebel or a natural leader. A bold character sweeps past while others hesitate.
A large character is exaggerated. A large character is every quality you want him or her to have–only bigger. A large character can be heard in the back row. A large character is unforgettable.
With this in mind, you must put these qualities on the page. Remember that readers can’t read your mind. They’ll never know what you don’t provide. And even if they decide your big, bold, colorful, unrestrained, active character is wild–chances are they’ll laugh or gasp first with amazement, and then fall in love with your vivid creation.