Among the many pitfalls for the unwary writer is an urgent “need” to share far too much information and explanation with our readers. After we’ve created settings and characters that require considerable detail and knowledge within our heads, it seems only natural that we should then want to blurt out all this lavish wealth of information and share it with everyone.
However, readers should know only about ten percent of what a writer invents for his or her story. And if that’s the case … and if we aren’t going to cram this stuff into our stories, why should we bother to create it at all?
Well, one reason is that writers should work very, very hard so that their readers never struggle, become confused, or lose suspension of disbelief.
Another reason is that our characters will be more plausible and dimensional if we create elaborate and sometimes lengthy dossiers for them. This effort acquaints us with their psychology, their motivations, their fears, their ambitions, their hidden weaknesses. If we know that a character was bitten by a rabid dog when a child and had to undergo painful rabies treatments, then we can write this adult individual’s extreme, panicky reaction to any canine with far more verve and authority than if we just randomly decide she should be frightened of dogs.
However, do we need to put the story on pause while this character’s entire backstory and horrifying childhood experience is dumped in? No, we do not. Readers are clever in picking up clues and hints dropped through character dialogue, reactions, and behavior. Allow your adult character to encounter a growling German Shepherd and show only her response to it–without additional explanation. Because you know all the background behind her fears, you will write her reaction much differently than if you never plan that event in her past.
Then, trust the character to carry the story for you. She should deliver a doozy of a reaction.